Showing posts with label Kingdom Come. Show all posts
Showing posts with label Kingdom Come. Show all posts

Tuesday, October 2, 2007

Shedding light on "The Dark Knight"

Even though I'm not really a DC buff, preferring the Marvel universe by leaps and bounds, I still do enjoy all things comicky, even if it means dipping my feet into the waters of the DC Universe.

Don't get me wrong though, it's not like I completely abhor DC characters and the world they live in. I just PREFER Marvel in general. Heck, some of my favourite stories of all time (and comics I might add) are from DC! Preacher, Watchmen, Alan Moore's ABC line of books...though technically Preacher was a Vertigo title (a mature readers line of DC books), the ABC line was an off-shoot of Wildstorm, which had been bought over by DC, and Watchmen, while published by DC, didn't contain any of the notable characters from the regular DC universe.

But I DO have some favourite stuff published in the mainstream DC universe though. Titles like Alex Ross' Kingdom Come, Brad Meltzer's Identity Crisis, all the big books drawn by Alex Ross like Superman: Peace on Earth et al, Jeph Loeb and Tim Sale's Batman: The Long Halloween, Frank Miller's Batman: Year One...just to name a few. So once again, it's not like I eschew DC Comics altogether...I'm just more of a Marvel guy.

Anyway, the one thing that I'm ALWAYS excited about, regardless of which company or organisation is movies that are based on comic book properties! I just love comic book movies whether they're superb (X-Men 2, Hellboy, Batman Begins), mediocre (Daredevil, Punisher, Superman Returns) or just plain bad (Batman and Robin). And there are a whole bunch of comic book movies coming out in the next year...they did a great job on Batman Begins, so I'm anxiously waiting for The Dark Knight!

SHEDDING LIGHT ON ‘THE DARK KNIGHT’
Get the first word on Heath Ledger as the Joker, the return of Two-Face and the early footage broken down frame-by-frame

By Rickey Purdin

Posted October 1, 2007 9:50 AM

“If it was up to me, you wouldn’t see anything until the movie came out,” said “Dark Knight” director Christopher Nolan without any hint of apology. As he introduced a super-secret clip of the film to 1,200 screaming fans at Wizard World Chicago during an exclusive “Dark Knight” panel, Nolan made sure the audience knew just how special the viewing was. Considering Nolan went to great lengths to keep the film protected from prying, spoiler-hungry eyes (the production was once codenamed “Rory’s First Kiss” to lessen attention), it was clear Nolan wasn’t comfortable exhibiting an unfinished product.

“Please be kind,” added the anxious director as security guards crept into the aisles with infrared night-vision gear to catch attendees attempting to record the footage. “This is a rough, rough cut.”

What followed, despite only shooting for nearly four months in Chicago, was about two minutes of pure Bat-fan-gasm, filled with plenty of Heath Ledger’s Joker, tons of action and the world’s first glimpse at the film’s other villain—Aaron Eckhart as Two-Face.

The director has every right to be secretive. The sequel to 2005’s “Batman Begins” doesn’t open until July 18, 2008, after all. Plus, if it weren’t for Nolan’s fresh, practical, cinematic approach to the Bat-mythos, the world’s last memories of a big-screen Bruce Wayne would’ve been lost in a sea of Bat-nipples thanks to a sputtered-out ’90s franchise. He’s earned the right to dictate what people see and when.

But it’s time to lift that leathery cowl and explore the elements of “The Dark Knight” that will make it DC Comics’ biggest blockbuster yet.

JOKER’S WILD
Moments before “Batman Begins” ended, Jim Gordon (played by Gary Oldman) approached Christian Bale’s Batman about a new thug in town, and in every theater across the land, the flashing of the joker playing card sent movie-goers into unbridled fits of hoots and hollers.


“We found a way of looking at the character and saw what role he could play in the film,” explained Nolan. “The joker card at the end of the first film created the right kind of feeling. That was the hook that got us thinking about the next one.”

Nolan’s writing partner (and younger brother) Jonah pointed the director toward the Joker’s first two comic book stories, both of which took place in 1940’s Batman #1. “We’ve come around to something that’s eerily close to those first two appearances,” revealed the director.

In the issue, the Joker appears as a grinning mastermind who predicts his murderous crimes over the radio before meticulously carrying them out. Each cold-blooded, calculated killing ultimately ends with the victim’s face frozen into a solid, monstrous grin. If the film version follows closely, as the writers have said it will, expect plenty of chilling death scenes.

“Once we established ‘Batman Begins,’ it was one take on Batman,” explained screenwriter David S. Goyer. “We had to decide, ‘How does the Joker fit in this world?’”

Part of that problem was solved when actor Heath Ledger (“Brokeback Mountain”) joined the cast in July 2006. One of the premier actors of his generation, Ledger dove into the role with an understanding of what he didn’t want to convey in the film.

“I’m not going for the same thing [Jack Nicholson] went for,” Ledger said in interviews. “That would be stupid. Tim Burton did a more fantastical kind of thing and Chris Nolan is doing nitty-gritty handheld realism. I love what [Nicholson] did, and that is part of why I want to do that role. But it would obviously be murder if I tried to imitate what he did.”

“What Heath is doing,” Oldman triumphantly stated in Chicago, searching for the right words to finish his thought, “…he’s going to knock everyone out of the park.”

Oldman’s words came true moments later during the screened footage. Flashing between scenes of the Joker robbing a bank and taking a Batman-administered body-slam in a police station, the teaser hit its Joker crescendo when a tired, emotionless Joker steadily opened machine gun fire on Gotham. Empty, deranged and angry, this was the Joker the audience was waiting for, and their wall-shaking screams confirmed it.

But it was the unexpected cameo of another villain that brought down the house.

TWO-FACE RETURNS
In “Batman Begins,” mob kingpin Carmine Falcone rules Gotham’s underground. When good guy District Attorney Carl Banks sticks his nose in Falcone’s business, he finds himself on the receiving end of a gangland shooting. Fast-forward shortly afterwards and Harvey Dent arrives on the scene.

“Dark Knight” promotional art features Dent running for DA, and like his comic counterpart, he wins the election. Vowing to clean up the city’s rampant crime rate, Dent takes a no-nonsense, Eliot Ness stance and mows down the street scum at the court level behind Lt. Gordon’s growing arrest record. Of course, that justice crusade comes with a price.

While the exact details leading up to Dent’s disfigurement haven’t been made public, comic fans can tell you Dent suffered acid burns over half his face during a court case. The attack sent Dent into a psychotic fit, resulting in the birth of the unhinged Two-Face. As soon as Eckhart was announced as Dent in February 2007, fans wondered if the actor might pull double duty as Two-Face, too. The footage in Chicago, along with comments made by Eckhart in interviews, put those questions to bed.

In the final moments of the clip, as explosions and sightings of the Joker resonated in the brains of the audience, a half-dollar spins wildly onto a barroom table. Two-Face plops down in a bar stool on screen with his back to the camera.

A bartender timidly pours a shot while staring up at Two-Face, crimson-maroon scar tissue running down the left side of the villain’s neck below slightly discolored hair. “Dent?” the jarred man screams in disbelief. “I thought you were dead!”

Then Two-Face speaks for the first time, saying only one word with a gravel-filled but glib voice: “Half.”

“Batman is a complex character, and Two-Face comes a little bit from the same world,” Eckhart explained in interviews. “I’m looking for the tension between the two, the similarities between the two. I want to find what’s similar to Batman and then find what’s opposite to him.”

BAT-PLOT
The title “The Dark Knight” provides a bigger clue to the movie’s plot than you might think. Just like “Batman Begins” explored the beginnings of Batman, “Dark Knight” looks to explore the Caped Crusader’s full-on immersion into protecting Gotham from its own shadows.

“‘Batman Begins’ was an origin story, and the important thing was to move the story forward,” described Nolan of the first film’s themes. “In [‘Dark Knight’], the detective [elements] will help move the story along.”

Reports indicate “Dark Knight” takes place shortly after the end of “Batman Begins” with Gordon still trying to clean up the Gotham streets after his promotion to lieutenant, Bruce Wayne rebuilding his family home with trusty butler Alfred Pennyworth (Michael Caine) and Batman refining his crimefighting methods when new baddies hit town.

After Bats took down Falcone in the last film, a criminal power vacuum sucks countless thugs and gangsters into Gotham with plans to control the city. This, of course, summons plenty of the eccentric villains Gotham is known for, and as more and more fill the streets, Batman, Gordon and Dent scramble to keep the peace. The influx of new bad guys also pushes Bats to develop new gadgets, including a streamlined bodysuit complete with projectile glove blades and a “Batpod” motorbike packing grappling hooks, cannons and machine guns.

Meanwhile, according to the teaser trailers, the lower criminals start to side with a single leader in desperation as the mobsters begin picking each other off. In the clip, Bruce Wayne and Alfred discuss the crime wave before Alfred lays the situation out on the line.

“You hammered them, and in their desperation, they turned to a man they didn’t fully understand,” he says, referring to the Joker. “Some men aren’t looking for anything logical. They can’t be bought, bullied, reasoned or negotiated with. Some men just want to watch the world burn.”

The Chicago footage echoed that sentiment as scenes of Gotham cars and buildings literally on fire littered the clip, proving the power struggle mutates into a gang war at one point. As for Joker plot specifics, Ledger points to one comic in particular.

The Killing Joke was the one that was handed to me,” admitted the actor in interviews. “I guess that book explains a little bit of where [the Joker’s] from, but not too much.”

The Killing Joke, written by Alan Moore with art by Brian Bolland, explores the origins of the man who would become the Joker—a loser comedian caught up in a crime and then accidentally disfigured after his wife and baby die in an unconnected mishap. And even if the details are different, a similar, sympathetic glimpse into the slow, tortured birth of the Joker may be present in “Dark Knight.”

LAW AND LOVE
Aside from the fact that “Dark Knight” marks the first time a Batman film hasn’t featured the hero’s name in the title, it’s also the first film to feature a returning love interest for the character—kinda.

In “Batman Begins,” Katie Holmes played Bruce Wayne’s childhood friend Rachel Dawes, who becomes Gotham’s assistant DA. Later in the film, Dawes and Wayne begin sharing a slim romantic link after she discovers he’s Batman.

In January 2007, reports of Holmes leaving the cast surfaced. Her reps revealed the actress had joined the cast of “Mad Money,” a buddy film with Queen Latifah and Diane Keaton with a conflicting shooting schedule that would keep her from appearing in both films. In March 2007, Maggie Gyllenhaal (“Stranger Than Fiction”) was announced as her replacement.

“I’m not thinking of it as a role that anyone’s played before,” related Gyllenhaal to sources. “I’m not walking into Katie Holmes’ performance. I’m thinking of it as an opportunity to play somebody who’s alive and smart. Chris asked me to do this because he wanted me, not because he wants some generic lady in a dress.

“Doing Batman has shocked me at every turn,” noted the actress. “When I started, I thought, ‘Well, it’s a huge movie, I’ll just do my best to put what I can into it.’ But, in fact, they’ve been really hungry for my ideas.”

In “Dark Knight,” expect Dawes and Dent to spend some quality time together as Dent takes over the DA’s office. A love triangle has even been hinted at involving Wayne, and the Chicago clip teased a freaky scene with the Joker holding a knife to Dawes’ shivering neck as he slowly spins her around a room.

But these aren’t the only new players in Gotham.

BAT-CAMEOS
Everyone knows about the major villains plowing through “Dark Knight,” but what about the surprising stars flying under the radar?

For starters, Eric Roberts, the Oscar-nominated actor who appeared in five episodes of NBC’s “Heroes” last season, plays Salvatore Maroni, a rising mob boss. In the comics, Maroni is responsible for scarring Harvey Dent’s face with acid, creating Dent’s Two-Face persona.

“Spawn” star Michael Jai White beat out hulking rapper David Banner among others for the role of Gamble, a new mobster who bumps heads with Maroni and other mob elements.

But not just ordinary underworld figures are set to appear. Early spy reports from the “Dark Knight” set in downtown Chicago surmised that the Scarecrow would pop up in the film. Amateur video caught a man in a brown hood and suit (the costume worn by actor Cillian Murphy as the Scarecrow in the first film) backed by a gang and arguing with another group of people during a scene in a parking garage. The report jells with the plot, as it would make sense for Scarecrow to make a play for the Gotham underworld.

Murphy wouldn’t comment when approached about the report, but did tell sources just after “Batman Begins” bowed that he was signed to do more than one Bat-film. He’s not the only speculated super-cameo, though.

Anthony Michael Hall (“The Dead Zone”) told sources in May 2007 he’d also joined the cast, but couldn’t specify his role.

“I signed a confidentiality agreement, and I can’t say which part I’m playing because it affects the story,” said the actor. “I can’t give away the suspense. It’s a $200 million surprise, and I don’t want to be the guy to ruin it.”

Online gossip pegged Hall’s expensive secret as the Riddler, a Batman foe obsessed with puzzles. Other reports indicate Hall plays a Gotham journalist obsessed with Bruce Wayne. Whatever the secret is, it’s not a stretch to imagine comic book Easter eggs hidden all over the film. After Arkham Asylum, home to many Gotham villains, was partially destroyed in “Batman Begins,” don’t be surprised to see more Bat-rogues lining up for a slice of the crime spree pie in “Dark Knight” or even a possible third movie.

“The script leaves room for a very interesting follow-up,” Bale admitted to sources. “I think we could take it somewhere else.”

As long as the secretive Nolan’s onboard, expect that somewhere else to be the top of the box-office charts.


The thing I'm looking forward to the most about the movie? Seeing Aaron Eckhart as Harvey Dent. He just looks perfect and was born to play the charismatic district attorney who will eventually become one of Batman's greatest nemesis: Two-Face.

Monday, October 1, 2007

Alex Ross talks about Captain America and Kingdom Come

The latest Alex Ross interview from Wizard Universe:

CAP IS BACK!
…or is he? Ross dishes on Avengers/Invaders and his return to Kingdom Come in ‘JSA’

By Danny Spiegel

Posted September 30, 2007 10:40 AM

WIZARD: When Avengers/Invaders was unveiled the initial reaction was that the real Captain America was coming back, but obviously that’s not the case.

ROSS: It was all just a big tease that was entirely my fault. I had this last-minute idea of a teaser illustration of Cap with a “hinting” of the other silhouetted Invaders figures, but focusing on the idea of Cap and the word “Return” in a dramatic haunting. And everybody bit into it. We loved the idea of teasing people for a short time that this was actually the return of Steve Rogers. Not a dream, not a hoax. But of course it would turn out to be, “Oh, it’s time travel and that’s him from the past!” Does that make it unsatisfying? I don’t know. Hopefully it makes it interesting for people just to see where it goes.

Did you even know back then that Captain America would be dead by this point?

No, I didn’t know that Cap was dead until he was dead. I heard a hint of somebody asking me about it, like, a couple of weeks before. “Did you hear about this whole thing that they’re gonna kill Cap?” And I thought, “No, they’re not gonna do that!” And then...bada bing!

Which characters are definitely coming back when this comes out in February?

The original five Invaders, who, technically, were the only ones who actually existed in the ’40s: Captain America, Bucky, Human Torch, Toro and Sub-Mariner. Characters like Union Jack and Spitfire will appear in the series but they actually didn’t exist until the 1970s.

Will the two Buckys interact with each other?

Well, that’s something I’d like to see.

“... He said, coyly.”

[Laughs] That’s enough of a tease, right? After all, it’s not like I can say “He’s gonna meet him in issue #4 and they’re gonna go out and have scones.”

I love cinnamon scones. What about you?

It’s the breakfast of champions.

I think that’s Wheaties, actually. On a more serious note, can you comment on your affinity for characters from the ’40s?

I was always intrigued with these characters from a bygone age that by comparison with a modern art style seemed more like cave paintings. When you look at the earliest style of art given to characters like Superman and so many others, it’s a bizarre origin that was absolutely entrancing to me as a young boy.

Do you ever play, like, big band music to get yourself into the ’40s mode?

No, not at all.

So what type of music do you listen to then?

Uh, Queen doesn’t sound very ’40s-ish, do they? But I do like them as well as the Beatles, the Monkees and Badfinger.


You’re co-plotting Justice Society of America, but whose idea was it to bring in the Kingdom Come Superman?

That was mine. The thing that I miss about the Justice Society that I loved when I was a kid is the fact that they had an older Superman in the group. That was something that was really cool. Not just the idea that he was the first Superman but that here you have him as truly the patriarchal hero. And I made the recommendation that instead of the Earth-2 Superman who I had no idea was going to be revived in Infinite Crisis—

Geoff Johns didn’t tell you?

He did not tell me, no, because he is a sly bastard. [Laughs] I said we—he—should take the Kingdom Come Superman from that story, and then I immediately concocted a way in which we could do this. He’s taken from the middle of the story before the end of Kingdom Come when he’s still wearing the costume and everything.

How does that happen?

I can say that Starman is pivotally responsible for bringing him into the DC Universe.

How long will this Superman be hanging around?

We’ve yet to put a limit on that. I certainly wouldn’t have a grand objection to him being around a year or more. Then again, I don’t control Geoff. And he is a sly bastard. [Laughs]

Wednesday, September 5, 2007

Before Alex Ross returns to Marvel, he first returns to the universe he helped create in DC's critically-acclaimed Kingdom Come way back in 1996:

KINGDOM COME AGAIN
The JSA gets its most powerful member ever: 'Kingdom Come' Superman! Alex Ross and Geoff Johns explain the effects for the DCU's first superteam.

By Ben Morse

Posted September 4, 2007 2:00 PM

The Justice Society of America gains a powerful new member, and he may be just the guy who blows the entire DC Universe straight to Kingdom Come.

Beginning in September’s Justice Society of America #9, series cover artist Alex Ross revisits the dystopian future of the fully painted, 1996 classic that put him and writer Mark Waid on the map as comic book superstars, in which a weary Superman returned to contend with a new generation of unruly superheroes. Along with Justice Society of America writer Geoff Johns and artist Dale Eaglesham, Ross promises to shake up the DCU’s most tenured heroes as the Man of Steel from the world of Kingdom Come joins the ranks of the JSA.

“In many ways, this story is almost the opposite of Infinite Crisis,” explains Johns, who also penned that tale. “In that story, we had a Superman come here and look down on our world, judging it unfavorably. This Superman sees our world as almost being heaven.”

Ross quickly points out that while the Superman who joins the Justice Society arrives from the world of Kingdom Come, he comes from a point before the story concluded, a crucially important distinction: “The importance of [Kingdom Come] was that, just like Dark Knight Returns was to have been the very last Batman story, this was the last big story of the DC Universe,” explains Ross. “They hang up their costumes at the end. So this is not the guy from after the last page of Kingdom Come; he’s pulled right out of the story.”



That said, how could the Justice Society potentially affect the outcome of their new ally’s tragic future?

Kingdom Come was more or less a world without a JSA,” notes Johns. “This story poses the question: If they had existed there, could they have made a difference?”

By the same token, the foreboding presence of the aged Man of Steel has some of the JSA’s younger members asking some hard questions. “It deeply affects Stargirl, who thinks she may ultimately fail to make a positive difference, but also some of the more troubled guys like Damage and Citizen Steel, who have to wonder if they could go wrong,” says Johns. “Does it make them try harder, or does it make them give up?”

While Kingdom Come may have been established as an alternate world in the new post-52 Multiverse, the presence of Superman serves to warn the JSA and the DCU that it could still well be what’s in store for them as well.

Kingdom Come is a timeless story of warning of what not to let happen to your world,” insists Ross. “It’s not definitely the future of DC—but it’s a haunting future that could be.”


SOCIETY SEARCH
Take a closer look as Alex Ross reveals the exclusive secrets behind the JSA's whereabouts during 'Kingdom Come'!

POWER GIRL/POWER WOMAN
SOCIETY SCOOP: Superman’s feisty lieutenant during Kingdom Come, the all grown-up Power Woman displayed an even more aggressive attitude and pumped-up physique.

ROSS REVELATIONS: “I wanted to go back to the original [Power Girl artist] Wally Wood style, but also address that if she’s got these huge breasts, wouldn’t she also have this buff weightlifter type body? I based her upon this woman called Zap from the then-popular show ‘American Gladiators.’”

THE FLASH

SOCIETY SCOOP: The Kingdom Come version of the Flash incorporated visual elements of Jay Garrick, Barry Allen and Wally West. In writer Mark Waid’s follow-up The Kingdom, he revealed the Scarlet Speedster in question to be West, humanizing the character and portraying him as the father of twin children, one of whom became Kid Flash.

ROSS REVELATIONS: “The [Kingdom Come] Flash was always intended to be a combination of the three Flashes, and the character was to be called Mercury with the young female Flash just being the new Flash. But then [writer] Mark [Waid] had him show up just as ‘The Flash’ in the first issue and renamed her Kid Flash in The Kingdom. It was always intended that she would be the daughter of Wally West and Linda [Park].”


GREEN LANTERN

SOCIETY SCOOP: Stationed in his emerald city orbiting the Earth, the stoic Green Lantern of Kingdom Come broke away from the common man ostensibly to guard his planet from extraterrestrial threats. After subtle hints, the KC GL stands revealed as Alan Scott when he joins the United Nations at the end of the tale.

ROSS REVELATIONS: “It was meant to be a bit of a mystery—could that be an older Hal Jordan? He’s got both the Golden and Silver Age Green Lantern symbols on his armor, and was meant to resemble Hal as Parallax. Ultimately, it’s shown to be Alan Scott, and the clue is in the final battle when Green Arrow pierces his armor with wooden arrows.”


HAWKMAN

SOCIETY SCOOP: An environmental terrorist, the Hawkman in Kingdom Come bore an inhuman avian appearance that the original Winged Warrior’s godson Northwind would adopt six years later in the Geoff Johns-penned JSA.

ROSS REVELATIONS: “Leading up to Kingdom Come, [then-Hawkman writer] William Messner-Loebs had done a lot of work establishing the source of Hawkman’s Nth metal as being this other-dimensional Hawk god. I [took] that beast form of the Hawk god and [made] it the next housing for Prince Khufu, the original Egyptian version of Hawkman.”


DR. MID-NITE

SOCIETY SCOOP: A background player in Superman’s new Justice League, Dr. Mid-Nite appeared as little more than a cloud of smoke beneath the character’s familiar cape and cowl in Kingdom Come.

ROSS REVELATIONS: “In doing what I did with Red Robin, it took away so much of the look of Dr. Mid-Nite that when I got to Mid-Nite, I had to come up with something to make him look distinctly different.”


WILDCAT

SOCIETY SCOOP: An animalistic ally of Batman, Kingdom Come Wildcat’s background remained largely untapped. Tommy Bronson, the long-lost son of original Wildcat Ted Grant, recently showed up in Justice Society of America sporting a similar look.

ROSS REVELATIONS: “[The Kingdom Come] Wildcat was never intended to be Ted Grant. We don’t answer the question of what happened to Ted Grant, we just assume that…he would be too old to still be out there. One idea I had was that Ted Grant raised this new Wildcat who was dropped off on the doorstep of the JSA as a skinny cat-kid. He would be Ted’s spiritual descendant, but not literally his son.”



OBSIDIAN
SOCIETY SCOOP: Another of Batman’s covert operatives, Obsidian forsook his traditional spandex in Kingdom Come for a pulpy jacket and fedora.

ROSS REVELATIONS: “[The design is 1940s pulp hero] the Shadow. The [current day] Obsidian is in his 20s, so 20 years from now [when Kingdom Come takes place], would he be wearing the same spandex outfit?”


CYCLONE/RED TORNADO
SOCIETY SCOOP: Though she didn’t play a significant role, a redheaded bombshell with powers of wind manipulation calling herself Red Tornado did show up in Kingdom Come a decade before Maxine Hunkel became Cyclone in Justice Society of America.

ROSS REVELATIONS: “When Geoff was telling me about [Cyclone], I asked if she could be a redhead to hint that she’s [Red Tornado] from Kingdom Come. In Kingdom Come, I based the character on Cindy Crawford and made her a super-fox, but in [Justice Society of America], she’s more of a ‘girl next door’ type. My idea is that she has a bit of a Gwen Stefani look, where she’s a bit more approachable when she’s younger, but she’ll mature into that ‘va-vavoom kitty’ in the future.”


SANDMAN

SOCIETY SCOOP: Three years before Sanderson Hawkins experienced a rebirth as Sand in JSA, Ross had the former Sandy the Golden Boy eschew the gas mask of his mentor Wesley Dodds—whose death set the events of Kingdom Come into motion—for the traditional superhero outfit of another former Sandman.

ROSS REVELATIONS: “I loved that old [1970s Jack] Kirby costume (inset). That was the very first Kirby comic I ever got as a kid, and it was a f---ing awesome costume, cooler than anything I had seen done with the Sandman. The coolest thing about Kingdom Come was that I had the chance to pay homage to anything I wanted to in any way I wanted to."